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东京文学
DONGJING WENXUE
2011 No.4 P.120

数字化期刊

《血窟》对经典童话的颠覆

成婷 

摘 要:<血窟>展现了对经典童话的颠覆性力量.卡特认为经典童话的本质是神话,而她的根本任务就是去除其神话色彩.该书的颠覆性力量可分为四类:时传统性别角色的颠覆;第一人称叙事;在童话中引入女性欲望;清晰的女性视角.
关键词:颠覆;去神话;性别角色;女性视角

Subversion of Classical Fairy Tales in The Bloody Chamber

ChengTing(Sichuan University Jinjiang College, Meishan Sichuan 620860) 

AbstractThe subversive power in Angela Carter' s The Bloody Chamber is explored. By acknowledging the classical fairy tales as a type of myth, Carter' s fundamental job is to demythologize them The thesis classifies the subversive power into four types: subversion of traditional gender role; the first-person narrative;introduction of female sexuality to fairy tales; and lucid feminist perspective.
Keywords:subversion; demythologization; gender role; feminist perspective

作者简介:成婷(1984-),女,四川成都人.四川大学锦江学院外语系教师,研究方向为英美文学与文化研究.
作者单位:成婷(四川大学锦江学院,四川,眉山,620860) 

参考文献:

[1]Carter.Angela.The Bloody Chamber and Other Stories.Middlesex:Penguin Books Ltd.,1979.
[2]Peng,Pi-tai.Angela Carter's Postmodern Feminism and the Cothic Uncanny.Taiwan:2004.
[3]田祥斌.安吉拉.卡特现代童话的魅力[J].外国文学研究,2004,(6).

出版日期:2011年4月30日